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Inside Al Jadid Book Reviews The Artist In Syria. Etel Adnan reviews Miriam Cook’s ‘Dissident Syria.’ Nahda’s Children. Michael Najjar reviews Richard Jacquemond’s ‘Conscience of the Nation: Writers, State, and Society in Modern Egypt.’ Tackling Taboos in Chicago Setting. Susan Muaddi Darraj reviews Alaa al-Aswany’s ‘Chicago.’ West, Mideast Dichotomy in Veil Debate. Simone Stevens reviews Jennifer Heath’s (ed) ‘Veils.’ A Critical Tribute to the Poet of Exile. Lynne Rogers reviews Hala Khamis and Najat Rahman’s (eds) ‘Mahmoud Darwish: Exile’s Poet, Critical Essays.’ Outside the Rubric ‘War on Terror. Michael Teague reviews Augustus Richard Norton’s ‘Hezbollah: A Short History.’ Listen to Etel Adnan. Mark Grimes reviews Etel Adnan’s ‘Seasons.’ A Gulf With A Past Building on Desert Tides. Doris Bittar reviews Ronald Hawker’s ‘Traditional Architecture of the Arabian Gulf.’ Coming of Age Between Liminal Spaces. Najat Rahman reviews Ibrahim Abdel Megid's ‘Distant Train.’ Taha Muhammad Ali: Journeys and Returns. Zaid Shalah reviews ‘Taha Muhammad Ali’s ‘New and Selected Poems.’ My ‘American Bride’ Goes Beyond the Autobiographical. Sarah A. Rogers reviews Elie Salem’s ‘My American Bride.’ Capturing the Surreal with triumphant sleight of pen. Theri Alyce Pickens reviews Frances Khirallah Noble’s ‘The New Belly Dancer of the Galaxy.’ Khaled Mattawa’s ‘Adulthood.’ Etel Adnan reviews Khaled Mattawa’s ‘Adulthood.’ Transcending the Stark Realities of the Middle East. D. W. Aossey reviews Elsa Marston’s ‘Santa Claus In Baghdad: And Other Stories About Teens in the Arab World.’ Market Demands, Nationalist Ideology and Brazil’s ‘Turko’ Population. Pauline Homsi Vinson reviews John Tofik Karam’s ‘Another Arabesque: Syrian-Lebanese Ethnicity in Neoliberal Brazil.’ Music in Free Verse. Theri Alyce Pickens reviews Zaid Shlah’s ‘Taqism.’ The Art of Storytelling Revisited. Hilary Hesse reviews Raja Alem and Tom McDonough’s ‘My Thousand and One Nights: A Novel of Mecca.’ Building the Future While Embracing the Past: New Directions in Arab-American Art and Culture. D. W. Aossey reviews three books: Salwa Mikdadi’s (ed.) ‘In/Visible: Contemporary Art by Arab American Artists,’ Anan Ameri and Holly Arida’s (eds.) ‘Etching Our Own Image: Voices from Within the Arab American Art Movement,’ and Ismael Ahmed, Anan Ameri, and Maha Freij’s ‘Telling Our Story: The Arab American National Museum.’ An International Saga of Islamic Art. Simone Fattal reviews Lynette Singer’s (ed.) ‘The Minbar of Saladin: Reconstructing a Jewel of Islamic Art.’
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